“On Knowing the Score”

Published in Steer Queer Vol. 1, Issue 3 (October 2014).

On Knowing the Score

I lean out my apartment window into the mild night air exhaling cigarette smoke, stretching to see past the magnolia in my front yard and up toward the glow of the baseball fields in the park, the direction Zach should be coming from, so I know if I still have a few minutes. He texted me about hanging out as I stepped out of the shower after work and flat out told me he wanted to try it with another guy—me, tonight. I obviously told him to rush right over.

Zach’s a friend of a friend, one of those men with auburn hair the same color as his eyes and a white-white smile, just charismatic enough to pull off being both a professional poker player and couch surfer, and after last time we saw each other I left sure he was interested—he’d squeezed my thigh and winked when our mutual friends left the table to get another round, then told me about how his ex just left him, a girl I actually met once who bragged to me about the size of his dick. I’d blushed and laughed along with him, then greeted my fresh drink from our friends like everything was normal. I know the game.

My phone chimes and I look at the screen: Text from Zach. I unlock my phone to “Hey sorry dude! Ran into peeps playin dodgeball in tha park and girl asked for my number – couldnt resist. Ill catch u soon”

I crush out my cigarette on the glass top of my desk and toss the phone on my bed, exhaling a plume of smoke as I march to the kitchen. That’s the problem with this—chasing after straight boys whose eyes linger too long—the ones impulsive enough to do it are also impulsive enough to suddenly not do it. I pull a beer from the fridge and twist the cap off with my teeth—a little extra click-and-wiggle from that one molar, but fuck it—and reach for the half-empty pack of Camels on the counter, imagine Zach tossing his hair under bright lights and flickering stars as he looks over at her—whoever she is—impulse leading to action, action to impulse.

“On the Effects of Recurrent Stimuli”

Published in The Literati Quarterly (October 2015).

On the Effects of Recurrent Stimuli

Every time Amy catches a fleeting whiff of Melissa’s scent in the now-silent apartment over the days then weeks then months after their last blistering fight—as she finally changes the pillowcases, or discovers a battered Red Hot Chili Peppers t-shirt she’s pretty sure she told Melissa must have been lost, pushes aside beaten biology texts and notebooks to collect the towels crumpled at the bottom of her bedroom closet—Amy imagines a cloud of molecules rising, vibrating, turning, coming together to make Melissa’s round face, her crooked smile, her thick arms reaching out to Amy, beckoning her closer.

“Measuring Entropy”

Published in The Literati Quarterly (October 2015). 

Measuring Entropy

Nathan will sometimes, without warning or reason, perfectly recall a specific someone from his boyhood—a pear-shaped man with thick glasses and a deep voice, a scientist-cum-librarian who led Nathan’s middle school field trip around the NASA Headquarters Library—explaining that a telescope essentially makes your eyes bigger while bringing things closer, magnifying the pupil and the amount of light it can absorb and thus revealing things one could never see before. When Nathan returned home from that field trip—scuffing his feet up the sidewalk to his grey brick apartment building—his mother was staring silently out a kitchen window, coats were missing from the hallway closet, and in his bedroom Nathan found a note in an unsealed envelope assuring him that his father would “be back to visit soon.” When Nathan remembers it all now—walking those marbled corridors of scientific data, the pitch of excitement in the librarian’s voice, finding his mother holding the same cup of cold coffee and staring out the same window the next morning—Nathan imagines himself aiming his old Amateur Astronaut telescope at his father in the days before, the lenses warping his pupils larger and larger—diameters increasing exponentially, opening up big enough to fit a man inside and simultaneously pushing his vision closer, past fine lines around his father’s eyes, a hint of stubble about to emerge, inside and through the minute weave of his sport coat—Nathan’s vision getting him so near so fast that he makes contact, goes right down into and through the skin, deeper and deeper—finding beneath his father’s calloused outermost layers the sacred warmth of an atrium, ventricle, aorta—until tiny implosions fuse atomic connections so strong that his father would have had no choice but to take Nathan along when he left.

“The Story I Will Never Tell My Son”

Published in The Tishman Review Issue 1.4 (October 2015).

The Story I Will Never Tell My Son

“I thought you said you could take care of this, Sean.” I hold the smooth, tri-folded piece of paper in my hands, the typewriter marks crisp and apathetic next to my pink fingernails, the paper’s sharp corners vibrating with the rumble of my little Dart’s engine. I told him this would happen. A bubble of stomach acid creeps up my throat and I swallow it back down.

“I did, baby, I am,” he says, his words running into one another. “Olivia, there’s nothing to worry about, don’t worry about it. I’m not going to Vietnam, baby, no matter what that letter says—I’m not getting shot by some goddamn communist.” He grips the steering wheel until his knuckles glow white on his chapped, red hands. Sean hunches forward, a bulging blue lump of ski jacket with a brown cap on top, glaring through the lazy falling snow as if he hasn’t been driving through weather like this since he was fifteen, even if he is six years younger than me. I watch him reach up to wipe the fog from the windshield with his puffy sleeve. “Goddamn hippies in Ohio. I wrote essays for them, hundreds of essays, and now those goddamn draft dodgers don’t remember my name. They said we all believed in the same shit, that non-violence could overcome a war, and then they apparently all forgot who the fuck I am.” He hits the steering wheel with his fist, wipes the windshield again, and fumbles to light a cigarette as another acidic swell gurgles in my stomach. “Not even goddamn Tommy Hill, the one whose dad is a general and could cross anybody’s name off the goddamn list.” He exhales a roiling ball of smoke and cranks down the driver’s side window. “Not even that fucker, who promised I’d be fine.”

Frigid air stings my face as I lean over to rest my forehead on the window and look up into the falling snow and at the tops of the tall pines on the edge of another town. I could really use another beer—the last six-pack died an hour and a half ago and a salty, dry taste is creeping through my mouth. I glance over at Sean, his eyes wide and agitated. I’ll be thirty in two months. Why am I doing this? We’ve been driving for three hours at least; he wouldn’t tell me why at first—“Just want to drive”—and didn’t even give me time to change clothes after work. But I knew what was wrong once I saw the military emblem on the torn envelope on the floorboard.

The last road sign told us we had just entered Troy, a hundred and sixty miles from Providence and our little apartment with the peeling floor tile in the kitchen and the tiny bathroom he painted blue last August; from Scooper and Tramp, who are probably yowling with hunger by now. I set the clean-white letter on the floor, swallowing hard as a cold sweat coats the skin of my neck and face. I lean back in the seat, grit my molars together and tap the fingernails of my right hand on the cool glass window. Click, click, click. Click, click, click.

“Will you fucking stop that? Please.” Sean tosses his spent cigarette out the driver’s window, the air frosting his breath.

I sniffle, wipe the cold bulb of my nose along my wrist, and pull my green coat tighter, fastening the zipper right up to my chin.

“Not that cold.” He shakes his head, streaks the fogged windshield with his bare hand and reaches for his cigarettes. “But maybe this is best, Oli. I mean, goddamn, it’s how we survive, by being scared, by feeling like we don’t really know what’s going on, you know? Maybe it’s the only thing that keeps us moving.” He lights a new cigarette, the first acrid, hazy breath filling the car, before slapping his palm against the curve of the steering wheel. “That’s it, Oli,” he says, not looking at me, “there has to be fear inside your heart for you to keep going—there has to be.”

The bitter smell of smoke reaches my nose and my throat spasms as I turn from Sean, his face flushed and smooth, to rest my chin in the hollow of my palm. I force myself to smile as I look past the dark gray dashboard and busted radio, back to him. “I love you, kiddo.” My left thigh sits just beside the front seat crevice and I picture him reaching over to clasp my knee while he smiles at me like he always does and tells me he loves me too.

His eyes flicker toward me in the shallow reflections from the headlights, and he breathes smoke out hard through his nose. He grips his cigarette in his front teeth, both hands on the wheel, his clumsy lips slurring his words: “No room for love unless there’s fear, baby.”

I hold my eyes closed for a second, lifting my head from the cold zipper pinching against my neck as I shift to face my reflection. A quiet, burning belch rises in my throat. I watch the snow fall in clumps that collect in the corners of all the windows, framing my face and dark curly hair, Sean’s silhouette behind me. He could’ve at least said it back.

When we first moved in—back when he convinced me we could save money living together and would surprise me with dinner or shelves he built for the bathroom, back when he crawled into bed when I did to hold me—we used to lie out in the snow when it fell, those first few years. We haven’t had the chance this year to wander out to the picnic table in the little fenced-in back yard and hold each other, all bundled up in our coats and scarves and gloves, as the snow slowly erases everything around us. My stomach knots up, this time tighter and higher up, as I think about the heat of his arms and breath on those snowy days; I remember waiting until the numb prickles rose to my knees to go inside and warm up. Feeling small beside him used to be so natural.

I drop my face into my hands, dragging my fingertips through the thin sweat on my forehead to my jaw, resting my fingers along the smooth boned line. The low grumble of the engine and the sound of wind through Sean’s open window fill the small, cold space between us. The last time we had a good conversation was weeks ago. He writes to so many papers and articles about the war that there’s hardly any of him left for me. He hasn’t even noticed my skin, how clear and soft it is, or my good mood, how cheery I’ve been for at least a few weeks, almost a month, or how I take longer to get ready in the bathroom each morning, coughing quietly. He might never notice; might not get the chance now. I let out what sounds like a small laugh and rub my knuckles against my eyes, wiping away water. I guess I have to tell him, but he won’t want to hear it anyway. He’ll tell me I must be wrong.

“Hand me another pack of cigs, eh, Oli?” His right hand sits out, upturned, waiting.

I lean forward to the glove box and tug the handle, opening the smooth, cold little door. “Where are they?”

“No more in there?”

“No.”

“Look in the back, there should be some in a bag back there.” His hand jerks toward the backseat, thumb extended. “Behind my seat.”

His seat. Sometimes I think he forgets whose car this actually is. I turn around to look and, as my vision turns from the road, my stomach goes cold and coils up again, grinding tighter this time. I push my feet against the floorboard to wiggle into the shallow space between us and reach the plastic bag I can see peeking out from beneath the driver’s seat. I pull back and set my jaw as I push my knees onto my seat, stretching over the back support and down to the floorboard in the back, the top of the seat round and firm against my queasy stomach.

“What the hell are you doing? Can’t you just squeeze your small ass between the seats?” He snorts and flinches away as my hip grazes his shoulder.

I get a hold of the thin, crumpled bag, pull it from under the seat and toss a pack of Camels over my shoulder into his lap. “There,” I say, dropping the crinkling bag back onto the floor. I bend and maneuver back down to a sitting position, huffing as I put a hand on my seizing gut and pull my hair back from my face.

“Open it for me,” he says, not even asking.

I stare at him for a second and then snatch the box from his lap, peel off the cellophane wrapping and place it in his outstretched hand. I look out the window again, at the glow of a city just on the other side of the dark pines, at the slowly falling snow. Maybe if I just don’t say anything, we can go back to how we were—before this letter to him and this change in me. Sean’s lighter flicks in front of another cigarette and the flash illuminates my small car for a second, defining the door beside me, the stippled dashboard and, in the edge of my vision, the small space between our seats. We could just drive, maybe head south where it’s warm, and make our way to Mexico, hopping from resort to resort and beach to beach, drinking piña coladas and changing our names in each little city. A gas station sign shines ahead, the snow around it turning red and orange, the 76 white and clear. My stomach squeezes taut, hollowing itself out, and I swallow back another sour burp. I can drive when he gets tired and he can drive when I do; we’ll always keep moving, and just forget about the world and the war, stay on the road as far as it goes. “Sean, pull in here. I want to get a beer.”

He pulls right up to the building, headlights searing the red brick wall, and turns off the car. He begins steadily tapping his fingers on the steering wheel and the sound fills the quiet space like a drumbeat in an open plain. “Hurry, Oli.”

I take a breath, my stomach still and settled for a second, and push open the car door, squinting as the bitter breeze pushes my hair into my face. I get out with my purse and walk around the car to the door of the store. I turn back to my Dart, the heavy glass door to the shop halfway open. There’s Sean: this kid driving my car, his hazel eyes showing yellow in the fluorescent light as he stares ahead, zoned and scared. He looks addicted, or at least manic, off somehow. I turn into the shop as the letter on the floorboard pops into my mind and my guts do another cold, acidic flip. I told myself this would happen. I clear my throat as the door shuts behind me with a chilly breath.

I walk slowly down the aisles, pausing in front of the glowing beer freezer along the back wall, the white lights shining off of colored glass and curved labels like streetlights across the bottles clinking in the floorboards. I bite my lip and push my hair behind my ear before moving further down, past the alcohol, and tugging a green pop bottle from a little cooler brimming with crunchy ice. I wander through an aisle of candy and cheap toys up to the cashier and show him the drink. As I hand him a ragged five, I glance around for the metal racks they always have just by the door. When the grinning man hands me my change, I smile back widely and thank him, moving toward the exit. I glance out at Sean—his glossy eyes not even seeing me. I swipe a free copy of Northeast Real Estate, Inc.—the pictures of empty houses on the front fuzzy but bright—and stuff it in my purse with the money in my hand.

“Sean,” I say, knocking on the driver’s side window.

He quickly rolls it down and looks up at me, his eyes open too wide—showing too much white—his mouth slightly open, silent.

I swallow hard again, the burn easing quicker now, push my hair behind my ears, and motion with my head toward the store as I speak. “Hop out. My turn to drive.”

“Adventures in Another Land”

Published in NonBinary Review Issue 3 (December 2014).

Adventures in Another Land

Caitlin dreams of soldiers asleep in poppy fields, her camouflaged father in the Emerald City, gun slung low across his back. She watches him wander between gleaming towers colored like ivy and jade, asking every sympathetic resident where to find the wizard—retired since being labeled a fraud—who can send her father home.

“The Stars of Our Ancestors”

Published by YourLifeIsATrip.com (January 2015).

The Stars of Our Ancestors

For Dad

In March, I visited my parents in Virginia from my home in New Mexico: twenty-four full hours of driving over three days and across six states, from desert mesas to grassy flatlands to the wooded Appalachian Mountains where I grew up. I stepped through the kitchen door just as dim night settled over the nearby barn where my mother was feeding horses. My dad, whose name I share, walked toward me smiling but breathing hard, an effect of the lung disease he had been diagnosed with months before. It had already restricted his existence, keeping him from the veterinary work he loved and the active, exuberant lifestyle he had always enjoyed. Watching it happen from over halfway across the country—like snippets of a harrowing home movie, distance a gnawing hunger—was feeding a mix of anxiety and relief within me: anxiety that I’d be too far away to make it home if something happened, relief that I was far enough away to deny the disease’s effects on him.

Dad, thinner now, huffed as he hugged me. “I had your sister drop off the old pictures we found in the basement so I could show them to you.” He stepped back but kept his large hand on my shoulder. My older sister, already interested in genealogy and scrapbooking, had gotten the photos because of how mold affected Dad’s lungs.

As I opened a beer and sat down at the kitchen table, Dad pulled out an old shirt box that smelled faintly of aged paper and mildew. In it, atop the pile of faded pictures with neat handwriting on the back of each—handwriting with strange similarities to my own—were once-colored shots of Dad as a baby, his eyes now faded to white-blue but still showing jubilation. Deeper down below those photos, before my father’s time, his mother Mabel at nineteen years—her skin smooth and hazel eyes sharp, the edges of the photos soft and wrinkled the way her skin was in my few memories of her. Alongside Mabel, sepia snapshots of a woman with porcelain skin and black curly hair tucked low behind her head, eyes as dark as mine—“My Aunt Gladys,” Dad said—her parents’ German-Jewish origins more evident than in her sister Mabel.

“She was an English teacher, like you,” Dad said, smiling, as I plucked a portrait from the box—the waxy feel of a worn glossy photo made my touch light, my fingertips sensitive. In the picture, Gladys sat at a desk with a book open before her, her strong nose and jaw delicately shadowed.

“Gladys was one of my favorite people as a kid. She taught me to read after school. The other woman there is Miss Ida. They loved to travel.”

I looked down at Gladys standing beside a woman with a plain but sweet face, each of them in a simple black dress in every photo: standing beside a giant redwood far from their Pennsylvania home, before moonlit palms on a stretch of sand in Florida, laughing and holding fast to their hats on a mountaintop out West. “Ida was Aunt Gladys’s constant companion.”

Moving across the kitchen—always my dad’s favorite room, a place where he expressed the passion he would’ve pursued had medicine not been an option—he pulled out ingredients for dinner, which my little brother would help cook when he got home from work.

“I know now they were lesbians, of course.” Dad paused and sighed heavily, held up a single finger as his chest slowly heaved, his full weight leaned against the counter.

I feigned intent interest in tiny details of the photo in my hand, and thought back to when I came out as gay over a decade ago: Mom’s uncontrolled tears, Dad’s wavering voice and steady eyes, his strong fingers gripping my knee. I looked to the pile of photos spilled on the table before me, at Gladys, her face like something long hidden somewhere deep in my memory.

“Anyway,” Dad sighed, “she would’ve liked you.” He took a final halted breath and came back over to sit beside me. “I wish you could’ve met.” He eased back in the chair, his eyes almost closing as his breathing relaxed and he cleared his throat. In a photo before me, Gladys reclined in a wicker chair as a toddler, her head of raven curls resting on her hand. “I remember when you were that—,” he paused, tried to clear his throat. “Were that a—”

Dad’s voice faded into a raspy cough. Ice coated my stomach as I watched him turn red, a fist held in front of his mouth.

“Do you need anything?” I asked.

He swallowed, leaned back. “I’m okay.” His eyes were weary but still glinting. “Oh, I got the results back from that genome project that tells you where your ancestors migrated. Tracks the whole thing and tells you about significant genetic markers.” He smiled, breathing still heavy, as I looked toward the darkened window and imagined all the night skies our family genome had witnessed, how far we had travelled for Dad and me to get here, now. “You have to see it,” he said as he hopped up faster than he should’ve, stopped to lean on the back of his chair.

I stood. “Let me get it, Dad.” I put a hand on his shoulder and looked into his lowered eyes. “In the family room?”

“Yeah.” A heavy breath. “In a manila packet.”

My feet moved quickly to the adjacent room, to the next thing that could help me stretch out those few minutes and fall into the past with my father, closer to our ancestors and further from his diagnosis and the inevitable end of his disease, from the distractions of my work, from the politics and passions that came between the two of us. Behind me, Dad coughed and my heart shuddered, our smoldering denial like sparks of a dying fire against our ancestors’ night skies.

“On What It Means to Stay”

Published in Loud Zoo Vol. 1, No. 3 (December 2014).

On What It Means to Stay

As I crouch behind our cramped apartment’s front door, vacuuming for the second time today, it flies open and I have to catch it with my right hand before it hits me.

David’s screechy voice overpowers the Dustbuster’s hum in our tiny living room. “I brought Mexican for lunch.”

I twist at the waist and look up at his sparse, mousy mustache he says will soon look good. I call over the whirr, “I thought you were bringing sushi.”

“I changed my mind,” he says, swinging one of his long, slender legs so his foot hits the door. It slams and the wall rattles, rocking the picture on the wall above me like a pendulum. Asshole.

I turn off the hand held vacuum and set it on the green carpet; my guts bubble and clinch as I stand and walk past him into the kitchen. Sitting at the table in front of my cold cup of coffee, I lift my left leg over the right and shift the round bottle of coffee creamer along the wood grain on the table.

I sniff, but all I can smell is the dry, stale scent of a hangover. “How’d you know what I wanted?”

He blinks his thick black eyelashes as he looks up at me and crosses the kitchen to the table. “I didn’t. I just got you some of those spicy burritos. The meat asiado ones. You like those, right?” The plastic bags grunt against Styrofoam containers heavy with greasy Mexican food as he sets them on the table, his keys clanging down beside the bags.

I roll my eyes. Asada, not asiado. Dumbass.

He tosses his grey windbreaker over the back of a chair, and it swishes against the yellow vinyl seat cover.

As I watch him pull forks out of a drawer, I blink as if something is lodged in my eye. “Remember this morning, when I didn’t get out of bed ‘til ten because of my stomach hurting?” He was supposed to be here last night, watching movies and drinking with me instead of at the bar with Saruh and Jessie.

“Oh, yeah. Want a Hot Pocket instead?” Without glancing up, he pulls out the chair opposite me and lifts one of the square Styrofoam containers out, opens it and begins assembling his steak fajitas with quick, swooping motions.

I look down into my mug. “Nah. Don’t worry about it.” The white chocolate cream slowly roils in my coffee, the color tan and smoky.

 My mouth has gone dry; my stomach is too tight to handle any caffeine. I hate his dopey fucking face.

Outside on the abrupt little balcony, two city pigeons bring tiny branches, flower stalks and scraps of hay—where do they find these things?—to build the pitiful twig nest I have already ripped down three times this week. Idiot birds.

David is cramming half a fajita into his mouth at once. Red-brown juice drips down his chin and onto his white Oxford shirt.

“Shit,” he mumbles through soggy tortilla and peppers. He swallows hard, his throat flexing wide and then relaxing slim again, and pushes the rest of the fajita into his mouth with one spidery hand. “I’m gonna go change,” he says as he wipes his mouth with a paper napkin – the metal legs of his chair squeal along the linoleum floor away from the table and he walks  down the hallway into the bedroom.

I uncross my legs, turn to the right and stand, then slide the smudged glass door open and step outside. Fucking asshole.

As one of the dull pigeons takes flight, its fat little body pulling down the glimmer of sun on its salt and pepper wings, I brush the little pile of scrap from the corner of the porch with my foot. All you little bastards, nest somewhere else. This is my balcony.

I turn to the kitchen as David walks back out as he’s tightening a green tie. He lifts his jacket from the back of the chair with a swoosh. A drop of dried grease still clings to his chin.

“Paul, I’m just going to eat this back at the office.” He looks over at me and smiles. I nod as he scoops everything back into the noisy plastic bag, tosses his fork into the sink from across the kitchen and passes the ugly blue couch to the door. One sleeve of his jacket almost gets caught in the wooden frame as the door swings shut.

I turn and lean on the smooth metal railing of our balcony, licking the peeling corners of my chapped lips. I look down the twenty-three stories at the stained, uneven sidewalk to watch the glass door swing open and David stride out. His cell phone is balanced against one shoulder and he’s almost juggling the Mexican food to pull the grey windbreaker on over his white shirt. I look down at the blue veins snaking beneath my white, white skin. I look sick.

The only reason I went to get tested was because David started wearing underwear. He had never worn any—no boxers, no briefs—since we had met. I immediately found it sexy, and his lack of undies directly led to him waking up in my bed. But two months ago, as I watched him get dressed from the still-warm sheets, his hips were hidden by green elastic shorts. “What are those?”

He turned to me with wide, deliberately blank eyes, as if he had ever been a good liar. “What?”

“The boxers. Are those mine?”

Face full of surprise, he looked down, apparently mystified to be wearing underwear for the first time in three years. “Oh. No. Last night. I got a few pairs. Been getting colder out.” Then he turned, one black sock still in his hand, and shut the hollow bathroom door before I could ask anything else.

So, the next day, just to quiet my paranoia—after all, we had abandoned condoms after the first month or so—I sat in the kitchen and called the city’s free clinic after David had left for work.

The woman on the other end chimed, “So are you having symptoms, or just want to make sure nothing is going on down there?”

I scrunched my nose up and squinted my eyes. ‘Nothing is going on down there?’ I thought they had to be nurses to work at these places. “No, no symptoms. Just been a while since I had a check-up … down there.” I stepped across the flower-print linoleum to the sink with the portable phone balanced against my shoulder  and started washing the day-old crust of linguine from the pile of cheap ceramic plates.

“Oh, my. Well, that’s no good. No good at all.”

I paused and raised an eyebrow. “You’re right, it’s not.” Was she high? Popping other people’s meds between appointments or something? “I was also wondering, since it’s been a while, how long do the results take?” I turned off the water and set my hip against the counter. Holding the phone with my fingertips and leaning my head into it, I ignored the rubbery pasta left on David’s plate.

“Well, for the less serious ones, only a few minutes. We’ll let you know those results before you even leave the clinic.” I imagined this woman as Dolly Parton from “9 to 5,” chipper and completely oblivious. “Now let me just see when we can fit you in.”

As she flipped pages, I scraped under my fingernails with the prong of a freshly-dried fork.

“How about Saturday at two?” She sounded as if she was smiling. I don’t think I’ve ever smiled in an STD clinic. Nor seen anyone who has.

“Sounds great. The name’s Paul Williams. I’ll see you then.”

The phone cradle beeped as I set down the clunky phone and went to the bedroom. I could feel the dusty quiet of the apartment crawl along my skin as I sat on the bed and chewed my already ragged nails for an hour; they used to look so nice, before I started getting really anxious. Then I finally dressed to take a jog and absorb some vitamin D.

Now the light in the kitchen has dimmed and I glance at the clock: almost two-thirty. I step inside and sit. The dry terry cloth wrapped around me is scratchy and rough against my bare skin as I look down at the maroon cloth clashing against the fine blond hairs on my arm. Asshole.

My cell phone vibrates on the countertop. I lean my chair back until I can reach it. My tip-toes barely touch the cold floor, and I look at the LED screen. David.

I flip the phone open and stare at the screen for a few seconds before putting it to my ear. “Hello?”

“Hey. So I was thinking maybe I could come home from work early today. Ed told everybody to take the afternoon off. So I’ll be home in, say, an hour. Sound okay?”

I lean my head back and stare at the white ceiling. “Sure. You live here, too.”

“I know, but …” He sounds nervous or anxious, like someone is standing over him. “Look, I’ll just see you soon, okay?”

“All right.” I push down the top of the phone until momentum pulls it closed and set it on a dark circle in the table’s wood grain, just beside the bottle of creamer.

I pull at the waist cord of my robe. My fists are tight, shaking knots, and it grips tighter and tighter around my torso, which feels icy and desolate inside. I wrap one thin arm around myself and reach for my cold coffee. The fog of creamer shifts and curls as I lift the cup. I sit still for a long time, picturing my zippered suitcases in the hall closet; the two bookshelves in the bedroom with my pictures and books; the last statement for my empty bank account; Mom’s face if I showed up back home, half the country away; David’s mouth as he slept after the last time we had sex.

I didn’t even tell David I had gone to get tested. They make you come back in to get the results—something about mixed-up paperwork in the eighties and a privacy of information act. So I sat in the waiting room, trying to tell everyone with my expression that I was there for a malaria shot and not for the same reasons that made them slouch into the bright plastic chairs. The only one who seemed to know was the hunched old man with scraggly grey hair who winked when the nurse called my name. I sat quietly in the exam room, smoothing wrinkles out of my jeans with my hands until another nurse walked in.

“William?”

“Well, that’s my last name, it has an s on the end, but yes, that should be me. People do that to me all the time, especially in situations like these, where it’s listed with my last name first. They always call me William instead of Paul, but it’s actually Paul Williams, and then most people ask why I have two first names instead of a first and a last name, but my middle name is actually Lynnwood, which is so rare people think I’m making it—” Her face told me I needed to shut up. “Sorry.” I folded my hands between my knees and lowered my chin, eyes trained on her wood pulp clipboard.

She looked back down and flipped a page over the silver clip. “Your results are back.”

The only other word I heard was “positive.” It flashed in my mind like a marquee with big gaudy red letters: “AIDS” in fucking Broadway lights. I walked out of the exam room and back into that ugly crowd waiting for their turn, their news. When the old homeless-looking guy reached out for my arm, I slapped his hand away hard and glared down at him, my breath coming out in quick puffs as his eyes went big and watery. I was standing on the apartment’s puke-green carpet with the door locked behind me, holding the slip of paper labeled “POSITIVE” that they make you take, before I even thought to apologize.

When David saw my red-rimmed eyes after he got home, I told him a friend’s dog had died. He thought I was angry about doing the dishes all the time, the bookshelves he promised to build me six months ago for the living room, or at least his refusal to vacuum. He had no idea.

I bite the inside of my cheek with my molars—hard—and stand. I march down the short hall to the bedroom.

 The shelves lining the other side of the room—all the shiny textbooks that I’m still paying for, the bestsellers David refuses to read—are reflected in the mirror above my dresser, and I step up to it and watch my cheek bulge as I push my tongue against the raw, salty spot where I bit it. He would crumble if he found out. I can almost see it: his legs limp as he drops to the floor, then he looks up at me and starts to cry, his eyes smeared dark with tears, cheeks turned splotchy red from embarrassment and fear. His keys and jacket and cell phone would be scattered on the carpet around him. No more leaving me here to go clubbing with those two sluts, no more drinks after work until two a.m. or spending the night God-knows-where because he “couldn’t find a way home.” No need to pack and haul my shit across state lines.

I drop my robe in a soft pile on the floor and pull open the top dresser drawer, then slip out a pair of jeans and lift my legs into them. I clasp each cold, round button slowly. I reach for a white t-shirt, then pull back. Fuck it; I may as well look dramatic. I pick up my wallet from the dresser, pull the folded piece of paper from inside and spread it open with both hands. The bold capital letters in black ink shine through the creases, overpowering the rest of the Xeroxed print. I refold it and slide it into my back pocket.

I stride back to the kitchen and pick up my coffee mug and the creamer. I move to the sink and pour the cold coffee down the drain. The fridge door makes a soft shushing sound as I swing it open, and I set the creamer on a glass shelf.

I pull the paper from my back pocket and set it unfolded in the very center of the bare, wooden table. Even he should notice that. Moving to the glass doors in front of the balcony, I face the sun already dimming behind the tops of tall downtown buildings. At least I had enough time to get ready. I place each hand on a hip half-clad in denim and turn my back to the light. The Dustbuster still sits on the carpet behind the front door, gleaming grey in the fading sunlight that is filtering through the living room windows. Just then, David’s key rattles quietly into the door’s brass lock, clicking as the gears inside begin to grind and turn.

“Why to Act Straight at a Urinal”

Published in Houston & Nomadic Voices Magazine Vol. 1, No. 2 (December 2013).

Why to Act Straight at a Urinal

Because it’s the only place in this bar where men look at one another when they speak; because in the bathroom—on the cracked once-white squares of tile, the corners chipped, the color a dull grey, standing before the walls decorated with graffiti and dried droplets of paint—someone can hit you from behind, into the enamel and metal mold, and the reflection in the flusher isn’t large enough to see them swinging; because it makes the stream sound stronger, like “a man” would piss; because the mirror is the best place to catch a curious man looking, but they never look if you do first; and because by the end of the night, you’ll have had too many vodka tonics to even try and fake it.

“The Wild Stag Jarabe”

Published in Animal (September 2014) (under the title “The Wild Stag Tango”).

The Wild Stag Jarabe

Sometimes when Maria imagines Travis—as her mom reacts over the phone when she hears that they already live together, or as Maria tells one of his jokes to her coworkers at Home Depot, or as she sprays the perfume he bought her along the bones of her clavicle, her wrist, just below her ear—she pictures him the way he looked the night they met at a mutual friend’s dinner party: his plaid shirt tucked into his jeans as he pawed softly at the carpet with his boot, watching the fibers bend and flex as he spoke about how different Virginia was from the Midwest, then later with his head tipped up toward the cloud-covered moon as they drank on the back porch and he chain-smoked, lighting each cigarette from the cherry of the one before it.

Each time she sees him, he is standing washed in moonlight the way he looked that night, though colors shift and mute, his clothes drop away, and she looks down at his narrow, hairy feet and wiry legs, eyes trailing up until she comes to the soft brown hair across his chest—the smooth, broad muscles of his shoulders and thighs tighten just like a buck in rut as he senses her looking at him, turns, and she sees that his ears have fanned, are sitting a bit more out and look almost pointed, between them eyes now wide and glossy, dark like a deep pool in cool wet forest, and crowning his head, emerging through that shaggy brown hair, two golden antlers sprawl, scattering the sterling light and completing his nude form in a way she’s never had the right words to describe: something like “a part of nature” or “a prince of wilderness,” but she’s always laughed at herself—once or twice out loud—as soon as those phrases came to mind.

When she sees him this way, it is always so fleeting she really doesn’t even consider it any other time—in her mind, he will spin around and disappear over the edge of the porch, drop to the ground like water falls and stream away from her the way she has seen prey do from the advantage of a hunting platform, cold metal resting against her cheek.

“Appearances”

Published in Off the Rocks Anthology Vol. 17 (2013).

Appearances

(I.S.O. “Girl” by Jamaica Kincaid)

            Remember, son, to always look your best and never forget to comb your hair—part it on this side to look quiet, over here to appear showy. This is how to wash dishes, gently, and always with an ear on the other room. If one of the boys screams insults at school, be sure to walk away—you’re too small to fight and probably always will be. Wash clothes in the sink if the machine is broken, only use a few drops of detergent and give them time to soak. Ask your father how to knot a tie, more than one way, and teach your friends who can’t. Learn to keep your hands by your sides and don’t wear the same jewelry as girls, even if it’s a gift—boys don’t wear pink and purple beads. Burn a loose thread on a colored shirt to keep it from pulling further; pull a string on white cloth so it won’t leave a scorch. Hang your nice slacks like this so Grandma won’t think you’re a heathen. Try to squirm less in church, but don’t fall asleep. Tuck in your shirt and speak clearly, no one wants to hear mumbling. Be aware if your mouth is hanging open while you listen, close it as soon as you realize. Try not to laugh while chewing, it makes other people look away. Never smoke cigarettes, it killed Granjack and it can kill you too. Brush your teeth every night, slow even circles, so they will shine white and wet like snow on the fields. This is how to spread hay—over the fence, several piles evenly spaced. Don’t throw gravel at the dogs and never near the horses; if they kick you, it’s your fault. Never toss walnuts by the house, bust a window and you’ll pay for it. Wipe your feet before walking inside, especially if you live there. If someone is your friend, hug them and look into their eyes; if it’s a person you don’t like, smile and shake their hand firmly. Always be a good host, it will be useful with the right guests. Hold the door open for people, especially if they’re only a few steps behind. Look at pictures without touching them. Knock before entering a room. Learn not to be upset when your father comes home later than usual or not at all. Try to not ever cry—it’s not becoming on a boy. Learn to listen more than you talk and never swear in front of ladies, it attracts the wrong kind. Before leaving for a date, line your buttons up correctly, sloppy boys never date pretty girls. But what if the date isn’t with a girl? Wait, you don’t—all right, son, no, you can cry, come here, it’s fine. At least you’ll be happy. Know that my arms are always here for you, okay? Always be judicious. Stay close to girls who aren’t afraid to fight—you’ll be tougher that way. Don’t tell just anyone. Never let your guard down, hear me? And don’t ever stare—no matter how safe you feel—in public.